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Peach

I'm 25.
Always looking for an adventure.
Might as well put my thoughts down.
Apr 15 '14
Apr 15 '14
"The biggest mistake a girl can make is thinking that the guy who broke her heart once won’t do it again."
Apr 15 '14
"I’d much rather be someone’s shot of whiskey than everyone’s cup of tea."
(via classsy-blue)

Yep

(Source: gluh-birne)

Apr 15 '14
Apr 15 '14
Apr 15 '14
"I want to be the person you’re scared to lose."
Apr 15 '14
Marcelo Camelo - Janta (Sou)

so beautiful

Apr 15 '14
beautiful

beautiful

Apr 15 '14

(Source: bryanchvzz)

Apr 15 '14
theduplicitytimes:

6 WRITING TIPS FROM JOHN STEINBECK
Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.
Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.
Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.
If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.
Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.
If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.
"If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes, but by no means always, find the way to do it. You must perceive the excellence that makes a good story good or the errors that makes a bad story. For a bad story is only an ineffective story."

theduplicitytimes:

6 WRITING TIPS FROM JOHN STEINBECK

  1. Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.
  2. Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.
  3. Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.
  4. If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.
  5. Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.
  6. If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.

"If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes, but by no means always, find the way to do it. You must perceive the excellence that makes a good story good or the errors that makes a bad story. For a bad story is only an ineffective story."

Apr 15 '14
"You spend your whole life stuck in the labyrinth, thinking about how you’ll escape one day, and how awesome it will be, and imagining that future keeps you going, but you never do it. You just use the future to escape the present."
― John Green (via psych-quotes)
Apr 14 '14
"And sometimes I have kept my feelings to myself, because I could find no language to describe them in."
Apr 14 '14
"You have both war and poetry in your mind."
Apr 14 '14

I love tea and I love this quote by Eleanor Roosevelt. I’m really happy how this picture turned out.

I love tea and I love this quote by Eleanor Roosevelt. I’m really happy how this picture turned out.

(Source: allinoneyear)

Apr 13 '14
lorna-ka:

I finally got hooked up on The Walking Dead and guess who my favorite character is (I’m very unoriginal I know) Also, what are crossbows

lorna-ka:

I finally got hooked up on The Walking Dead and guess who my favorite character is (I’m very unoriginal I know) 
Also, what are crossbows